Professor Eddy

I announced this Smooth Sailing part almost 4 weeks ago on my Facebook page , but I was not satisfied with the beginning and the ending. After hearing Retiree and Ray Munnings I knew which tracks could open and close the mix. So here it is, enjoy! Glam rock band Mud was founded by guitarist Rob Davis and drummer Dave Mount almost 50 years ago. They formed a band with bass player Ray Stiles and singer Les Gray, after placing an advert in Melody Maker. They struggled for success for years, but soon after they had been discovered by producer Mickie Most during a gig, things lightened up. They were hooked up with the most successful writers and producers of that time: Nicky Chinn and Mike Chapman (Sweet, Suzie Quatro). Hits followed very fast and during the mid-seventies they had several number ones all over Europe. After Mud had left Nicky Chinn & Mike Chapman and started to write their own material the hits dried up. They could not compete with disco and punk and the band decide

Pam Grier (Coffy) This 36th edition of ‘ Groovy, sexy & soulful ’ was stored on my computer for quite some time. But after I'd heard Hopium 's 'Dreamers' I started working on it again, because it was the right song to set the mood for the rest of the mix. Hopium gave their listeners the opportunity to remix their song, so I decided to go for it. But how to remix an almost perfect song? At first I only stretched the track, because I did not want to change the dark black atmosphere. But when I listened to it a few times, it did not differ that much from the original. Then I decided to change the beat (not the tempo) to give it a more R&B feel and I added a deep synth that sounded a bit like the intro of ' Love don't live here anymore ' by Rose Royce. And I changed the ending: I wanted to create some kind of 'surprise effect'. I hope you will like my remix (and Hopium as well...). The full remixed version is a free download on my Soundcloud

James Brown: All Aboard! For those who like to groove, to quote Ray Parker Jr. Some kind of follow-up to Eddy's Groove Flight and more or less a spin-off from Night Flight that I made for AOR Disco recently. One of the songs I picked for Night Flight, 'Groove control' by Dynasty, did not fit in, so I came up with the idea to build a new mix around that track. Thanks to Northern Rascal ! His work was the inspiration for this mix. Apart from his two edits, I borrowed a few other tracks from his mixes (Players Association, D-Train and Billy Griffin). Those songs were some kind of foundation for this second episode of Groove Flight. The last song I added was the track by Child Actor (Natalie Plaza & Max Heath). Great new song, which fitted in quite well. Their debut album 'Never die' will be out on the 2nd of September. This is the story that Swedish duo Moodblanc tell us about 'Make love' (which seems to have a sample of Donna Summer's '

Picture Joan Smalls: Instagram The boat rocks a bit, because this Smooth Sailing part differs a little from the others. There are more new songs, especially in the second part of the mix. One of the bands that I selected is on the new ' Guardians of the Galaxy ' soundtrack as well: Native Americans Redbone. 'Come and Get Your Love' was their biggest hit in the US. It went to number five on the Billboard singles chart in 1974. The song was a minor success in the Netherlands. A year earlier Redbone released the politically oriented 'We Were All Wounded at Wounded Knee', which went to number one in the Netherlands, The song recalls the massacre of Lakota Sioux Indians by the Seventh Cavalry in 1890. It was initially withheld from release in the United States and then banned by several radio stations, because of its content. Eventually the song did not chart. 'Suzi girl' was their last hit in the Netherlands. It went to number 36 in 1975. Jesus Alvarez

Picture Joan Smalls: @joansmalls Instagram Some refreshing tunes for sweaty days… and some warm tracks for chilly days as well! Quite a few songs I selected for this new Smooth Sailing part are Latin inspired disco tracks, or ' cocktail disco ' as Dimitri From Paris calls it: “Cocktail Disco has that ubiquitous 4/4 beat and flying open high hat, complemented by rich orchestrations, campy over the top vocals, and an often tropical latin vibe. Something that wouldn't feel out of place in a broadway musical.“ Santa Esmeralda seems a mysterious Spanish guy, but it was in fact a concept, created by French producers Nicolas Skorsky and Jean Manuel de Scarano in 1977. When they had started their own label, they met singer Leroy Gomez in Paris. The duo recruited him for the group's first record 'Don't Let Me Be Misunderstood'. Almost immediately the song became a worldwide success. In 2003 the track played a key part in the movie 'Kill Bill' from dire