Slow & Easy Grooves

-
Picture by FreeFoto.com
Strangely enough the inspiration for this mix came when I saw Wilson Pickett singing ‘In the midnight hour’ in a very good documentary, called ‘History of rock ‘n’ roll’. It remembered me of the slicker Roxy Music version. Although I like the raw voice of Wilson Pickett, the song is more about seducing when Bryan Ferry sings the lyrics. I’m a big fan of his introvert, sophisticated funk. Soul singer Maxwell once said that Bryan Ferry was his biggest influence. It took me almost a year to complete this mix. Only after listening to a set of Japanese dj Daizi I found the right mood to finish it off. So enjoy these midnight grooves!

Track listing:

Roxy Music – In The Midnight Hour (1980)
Zapp & Roger – Slow And Easy (1993)
Linn Segolson – Troubled Times (2005)
Barbara Lynn – Nice And Easy (1971)
Valerie Simpson – Keep It Coming (1972)
New Birth – Never Can Say Goodbye (1971)
J. Blackfoot – Taxi (1983)
Leon Ware – Words Of Love (1982)
Kellee Patterson – Turn On The Lights (1977)
Carol Douglas – Midnight Love Affair (1976)
Leroy Hutson – Nice And Easy (1982)
Side Effect – Midnight Lover (1981)
Maxine Weldon – I Want Sunday Back Again (1975)
The Isley Brothers – Groove With You (1978)
Marvin Gaye – I Met A Little Girl [Professor Eddy Remix] (2009)
Beverly Knight – Too Much Heaven (2009)
Major Harris – How Do You Take Your Love (1978)
Al Johnson & Jean Carn – I’m Back For More (1980)
The Notations – Take It Slow (1975)


Comments

Post a Comment

Popular posts from this blog

Disco Knockouts!

-
Image
Apart from the picture of Sharron Davies, there are two songs that inspired me to make this mix. One of them is a recent track from Duck Sauce. The repetition of the female vocals reminded me of Stars On 45 (I believe they both sampled 'Gotta Go Home' by Boney M). The other one is from Dutch singer Dee Dee. I heard ‘I put a spell on you’ on a recent episode of Tim Sweeney’s ‘Beats in space’. In the accompanying video she looks a little bit like a sex doll, but I love the song! I like the closing track from soul veterans the Drifters, but isn’t it strange to hear guys who were in their thirties at the time sing about schoolgirls? Different times, I guess, when no one had heard of R. Kelly yet... One of my personal favourites is ‘Night time’ from Maggie MacNeal. I bought the 7” which was produced by Michael Lloyd (known for his work for the Osmonds, Lou Rawls and Solomon Burke) way back in 1979. Maggie MacNeal was one half of the successful Dutch duo Mouth & MacNeal. Their
Read more

Soft Rock For Autumn Days by The Smooth Operators

-
Image
Pexels Look outside and watch the falling leaves and early sun downs: this is the AOR soundtrack to this year’s autumn by The Smooth Operators (Martijn Soetens and I) 😊 Enjoy some soft rock with a touch of soul! Steve Harley & Cockney Rebel are best known for their UK number one hit (Come Up And See Me) Make Me Smile in 1975. The song came from their album The Best Years Of Our Lives and was co-produced by then relatively unknown engineer Alan Parsons. Their pretty funky track White, White Dove was released a year later as the final single from their next LP Timeless Flight . The track was written and produced by Harley himself.  White, White Dov e was the second single from the album , after Black Or White had failed to chart. White, White Dove came out shortly after Timeless Flight , but despite the album's top 20 success in the UK, the single did not reach the UK top 50 either. However, the same year Steve Harley & Cockney Rebel would return to the UK top 10,
Read more

Smooth Sailing On A Late Summer Night

-
Image
Unsplash As a touring member of the Pretenders Welshman Carwyn Ellis originally started his worldwide collective Rio 18 in Brazil. She’s In L.A. is a collaboration with AOR masters Young Gun Silver Fox: “They deliver a new flavour of lowriding Californian funk, telling a story about the joy of finding a new life in the City Of Angels, the metropolis by the sea.” (Bandcamp) Evie Sands began recording as a teenager in the mid-1960s. After a rocky start and having trouble with unreliable record executives who stole her songs, she finally had a hit single with Any Way That You Want Me in 1969. Her debut album, also named Any Way That You Want M e, was released several months after the single had peaked. In 1975 Estate of Mind saw the light of day on Capitol Records. Produced by Dennis Lambert and Brian Potter, the album marked her continued output as a first class singer/songwriter. The disco inspried One Thing On My Mind is one of the outstanding tracks. The song was covered by severa
Read more