For The Love Of Disco

-
The APX
Enjoy this cloudcast that was made for the love of disco, exactly 40 years after Disco Demolition Night.

Huffington Post says about The APX that the duo "drops funk that goes beyond good and hits excellent." Legendary musician Teddy Riley calls the group "Incredible!", Kiss 104 FM Atlanta says "The APX is keeping REAL funk alive!", and Creative Loafing describes their music as "Saturated in the funk... while still blazing trails of their own design!"

Despite their well-deserved reputation and boisterous, jubilant harmonies and sound, the Trammps were never a huge commercial success in the US, even during disco's heyday. They share this injustice with many other representatives of the so-called Philly sound, although the Trammps had a handful of hits in Europe, like Shout and Hold Back The Night. Body Contact Contract from their album Disco inferno was never released as a single, but it surely could have been one!

Tracklist:

Shaka Loves You – Disco Weapon (2019)
The APX – Déjà Vu (2019)
Shalamar ‎– Take That To The Bank (1978)
Heatwave – Gangsters Of The Groove (1980)
The Trammps – Body Contact Contract (1976)
KC & the Sunshine Band – Boogie Shoes (1978)
The Miami Disco Band – I Wanna Go Home With You [A Tom Moulton Mix] (1979)
Mud – Shake It Down (1976)
Patrick Juvet – Got A Feeling (1978)
B.B. & Q. Band – Starlette (1981)
Marcus Miller – Suddenly (1983)
Family Underground – For The Love Of Disco (1979)
Soulpersona & Princess Freesia – Selfdestruct (2019)
Beverly Girl – Talk About The Weather (2019)

Comments

Post a Comment

Popular posts from this blog

Disco Knockouts!

-
Image
Apart from the picture of Sharron Davies, there are two songs that inspired me to make this mix. One of them is a recent track from Duck Sauce. The repetition of the female vocals reminded me of Stars On 45 (I believe they both sampled 'Gotta Go Home' by Boney M). The other one is from Dutch singer Dee Dee. I heard ‘I put a spell on you’ on a recent episode of Tim Sweeney’s ‘Beats in space’. In the accompanying video she looks a little bit like a sex doll, but I love the song! I like the closing track from soul veterans the Drifters, but isn’t it strange to hear guys who were in their thirties at the time sing about schoolgirls? Different times, I guess, when no one had heard of R. Kelly yet... One of my personal favourites is ‘Night time’ from Maggie MacNeal. I bought the 7” which was produced by Michael Lloyd (known for his work for the Osmonds, Lou Rawls and Solomon Burke) way back in 1979. Maggie MacNeal was one half of the successful Dutch duo Mouth & MacNeal. Their
Read more

Soft Rock For Autumn Days by The Smooth Operators

-
Image
Pexels Look outside and watch the falling leaves and early sun downs: this is the AOR soundtrack to this year’s autumn by The Smooth Operators (Martijn Soetens and I) 😊 Enjoy some soft rock with a touch of soul! Steve Harley & Cockney Rebel are best known for their UK number one hit (Come Up And See Me) Make Me Smile in 1975. The song came from their album The Best Years Of Our Lives and was co-produced by then relatively unknown engineer Alan Parsons. Their pretty funky track White, White Dove was released a year later as the final single from their next LP Timeless Flight . The track was written and produced by Harley himself.  White, White Dov e was the second single from the album , after Black Or White had failed to chart. White, White Dove came out shortly after Timeless Flight , but despite the album's top 20 success in the UK, the single did not reach the UK top 50 either. However, the same year Steve Harley & Cockney Rebel would return to the UK top 10,
Read more

Smooth Sailing On A Late Summer Night

-
Image
Unsplash As a touring member of the Pretenders Welshman Carwyn Ellis originally started his worldwide collective Rio 18 in Brazil. She’s In L.A. is a collaboration with AOR masters Young Gun Silver Fox: “They deliver a new flavour of lowriding Californian funk, telling a story about the joy of finding a new life in the City Of Angels, the metropolis by the sea.” (Bandcamp) Evie Sands began recording as a teenager in the mid-1960s. After a rocky start and having trouble with unreliable record executives who stole her songs, she finally had a hit single with Any Way That You Want Me in 1969. Her debut album, also named Any Way That You Want M e, was released several months after the single had peaked. In 1975 Estate of Mind saw the light of day on Capitol Records. Produced by Dennis Lambert and Brian Potter, the album marked her continued output as a first class singer/songwriter. The disco inspried One Thing On My Mind is one of the outstanding tracks. The song was covered by severa
Read more